Naked Pictures Of » Famous People

Renai Caruso

Fri, 10 Feb 2012 13:45:01 +0000

Get Smart

Fri, 10 Feb 2012 07:08:45 +0000

Steve Carell

I just saw an advance screening of Get Smart and it was great! It was simply the best adaptation of a classic TV series for the big screen. I don’t know how to explain it but it successfully carried the tone that the original series had. It was silly but not too silly and, at the same time, a little serious but not too serious. Familiar characters, props, music, jokes and lines all brought back fond memories of a delightful TV series. And there were plenty of new elements in this film that made it interesting and entertaining to watch. Steve Carrell was terrific as Agent 86 and seemed to capture the essence of Maxwell Smart. Not only did his portrayal of him resembled that of Don Adams’ from the sound of Smart’s voice to the delivery of Smart’s lines, Carrell managed to inject a bit of his own personality to create a new Smart that didn’t stray too far away from the old. Anne Hathaway was perfect as Agent 99. She did bear some resemblance to Barbara Feldon and actually delivered her lines in a similar manner as her at times. But more importantly, she had great chemistry with Carrell. A key ingredient to Get Smart’s success was Maxwell Smart and Agent 99′s chemistry and I’m glad the writers of this film didn’t forget that. Feldon and Adams had terrific chemistry and so too did Hathaway and Carrell. Unlike previous film adaptations of old television series that only superficially resembled their TV series counterpart, this film can truly be considered a big screen version of the Get Smart TV series. Where Lost In Space, Mission Impossible, Charlie’s Angels, Starsky and Hutch and (have I missed anything?) have failed, this film succeeded in maintaining the tone and style of the original series upon which it’s based. Moreover, the filmmakers managed to bring Get Smart up to date without forgetting its roots. New ideas created for this film seemed to be natural extensions of those used for the original series. Jokes, props, music, characters and plot, old and new, all seemed to be born from the Get Smart world. I wish I could get into more details but I don’t want to give anything away. I thoroughly enjoyed this film and highly recommend this to anyone, especially fans of the original TV series.

Burnt Money

Fri, 10 Feb 2012 07:08:45 +0000

Burnt Money
[3 clips]

Eduardo Noriega

WOW! Rivetting! The faces of Eduardo Noriega and Lorenzo Sbaraglia fighting and surrendering to their love is pure cinematic art. I left the theatre unable to utter a word. I wanted to revisit their world, no matter how tragic, there was truth in it, twisted, painful truth. PLATA QUEMADA deserves a larger audience. On my second viewing, I forced two friends, who hate subtitles, and are as far removed from the gay world as anyone I know and they loved it. They were seduced by the universe Marcelo Pineyro created for those superb characters to inhabit. More, Mr. Pineyro. More Eduardo and Lorenzo! Bravo!

The Wicker Tree

Fri, 10 Feb 2012 07:08:39 +0000

The Wicker Tree
[2 clips]

Honeysuckle Weeks

Saw the world premiere of The Wicker Tree @ Fantasia Film Fest 2011 in Montreal with Robin Hardy in attendance (he actually sat about 6 seats away). I have not seen The Wicker Man and therefore did not know what to expect other than some paganism. Just before the movie started Hardy gave a little primer on the movie and ended by saying “It’s OK to laugh!”, which was the last thing I expected. Once the movie started I realized why he mentioned this, the movie is rife with black humour and tongue-in- cheek lines about Christianity and more specifically the ignorance of “born again” Christians. There was still some much welcomed blood, sex and general weirdness which, coupled with the constant dark humour, made for a surprisingly (to me) great movie experience. You definitely do not have to have seen The Wicker Man to enjoy this movie. All around great acting, great story, great directing and a great no-loose-ends finish. Definitely recommend this to both Wicker Man fans and newcomers alike.

Caught Inside

Fri, 10 Feb 2012 01:10:11 +0000

Caught Inside
[2 clips]

Leeanna Walsman

Daisy Betts

Caught Inside is a taught psychological thriller set on a Surfing Safari in the Maldives with a thought provoking script that revolves around a central character who is not unlike Max Cady from Cape Fear.

Director Adam Blaiklock and the crew spent a month or so in the Maldives filming Caught Inside. From the outset a requirement was that the actors were all competent surfers and the surfing scenes are all shot with realism. The story is cleverly and quietly developed with moments of real suspense and surprise that make the audience gasp.

Ben Oxenbould plays Bull, at first glance popular with his peers, a larrikin who can charm anyone when he wants to. However we soon learn that he has a dark side. He has issues with women and anyone who disagrees with him and his disturbing sociopathic tendencies cannot be hidden in the confined spaces of the vessel.

He uses his strength as an intimidation to others but, interestingly, never takes on the Captain played by Peter Phelps. It is not clear whether this is due to some past incident, his respect for authority or the fact that the skipper might be stronger than him but anyone else who crosses his path is fair game.

Despite the fact that the Captain laid out the ground rules at the beginning of the trip, it becomes evident that the cruise participants are on their own – miles from anywhere. No one can help. This plays into Bull’s hands as his manic tendencies become obvious. There are subtle hints that he has shown this type of behaviour before and he becomes more and more menacing and unhinged as the film progresses.

Caught Inside was filmed with a tight budget but it does demonstrate how important it is to base a movie on a great script. The film essentially revolves around Bull and Ben Oxenbould is truly exceptional in the role. He has been known as a comic actor with his performances in Comedy Inc but this film provides him with an opportunity to display a real talent for a complex character role.

In some ways the other actors are incidental to Bull but they are generally all very competent.

It is disappointing that Caught Inside hasn’t reached a wider audience. The sad reality these days is that it is very difficult to get wide distribution without major stars and studio backing. Independent film makers face an up hill battle to get their films screened in cinemas.

Highly recommended.

Naked in New York

Thu, 09 Feb 2012 20:25:17 +0000

Naked in New York
[1 clip]

Eric Stoltz

Naked in New York is one of those always risky propositions, when “artists” write about the “business” of what they’re doing, in this case the theater. Naked is one of the better examples of it, and features some nice ensemble work from Eric Stoltz, Mary Louise Parker, and Timothy Dalton.

The best moment, and the reason I’m adding a comment, is when the main character attends his first New York literary party. When he spots William Styron, he makes some snide comment to the effect of, “What has he written?” The movie responds by flashing Styron’s works, which are considerable.

It’s a great moment and a great use of the medium, and almost worth the rental price. Naked is a good one for a slow night.

A Dog’s Breakfast

Thu, 09 Feb 2012 19:05:31 +0000

A Dog’s Breakfast

David Hewlett

You have to see this film. I mean what more can I say, it’s just so funny your sides will split! Well written, great actors, gorgeous mutt. The perfect combination.

I was lucky enough to attend the London screening of ADB at the beginning of February 2007, with Mr David Hewlett, his sister Kate, fiancé Jane and producer John Lenic from Stargate in attendance to answer questions after the show. It was a great idea – a sort of ‘book tour’ for a film. Really made it into an event to remember

If it only goes straight to DVD – BUY IT! Whichever venue it is released in, do your untmost to see it.

Well done David for your directorial debut – gonna be a hit.

Roll on the next film

Under the Volcano

Thu, 09 Feb 2012 19:05:31 +0000

Under the Volcano
[1 clip]

Albert Finney

This is one of those movies that is always in the discount pile, “Any Rental–99cents’. You find it at garage sales and the like, although I never know why. Perhaps it’s the atrocious artwork. Seems a lot of video store patrons base their entire rental decisions on the cover art-I’ve never heard so many uninformed and ludicrous remarks as have been made in the `User Comments’ column for the movie `What Happened Was’-a very smart adult drama. Seems the provocative pose of star Karen Sillas on the cover suggested some sort of couples-therapy Skinamax special. Ooh the disappointment of it all.

Anyway, Under the Volcano is also a very smart adult drama. To begin with, Albert Finney’s Oscar nominated performance (he did garner an LA Film Critics award), is superb (1985 was the year Amadeus swept). As the terminally alcoholic Geoffrey Fermin, Finney plays quite a different sort of beast than those played famously by Ray Milland (Lost Weekend), Jack Lemmon (Days of Wine and Roses), and Nick Cage (Leaving Las Vegas).

Fermin is adrift in his alcoholism-an educated man, an English Consul, no less, whose losing battle with booze has cost him his job (Consul to Mexico), and his wife. He is at that stage when the bottle is his last and only compadre as it may. He has succumbed to it, long before this drama begins. His resignation is complete, any pretense of normalcy is only a whisper. He is waiting for it to take his life.

Under John Huston’s direction, Under the Volcano is basically a one-man show. In support, as Fermin’s wife Yvonne, Jacqueline Bisset gives for me the strongest performance of her career.

Highly recommend, but don’t expect to come away with sunshine on your shoulders.

The Legacy

Thu, 09 Feb 2012 19:05:31 +0000

The Legacy
[1 clip]

Sam Elliott

An excellent little movie, though it might be wasted on anyone likely to get disappointed by 1970s special effects or confused by the intrusion of a plot. It’s a well-made supernatural re-working of Agatha Christie’s “And then there were None” (Originally “Ten Little Nigger Boys”) and starts when the descendents of a 17th century witch gather at an English country house in the hope of receiving part of the family legacy. Instead, they get a dose of poetic justice delivered from beyond the grave. Don’t expect to be scared out of your skin, just entertained for a while.

Run, Fatboy, Run

Thu, 09 Feb 2012 19:05:24 +0000

Run, Fatboy, Run
[1 clip]

Hank Azaria

Occasionally when editors send reviewers a list of new and upcoming films, a kind a war-weariness can set in: even more so when one’s gut feeling suggests an obvious divide between worthwhile cinema and the barrage of rather missable comedy. Even more so when a film in question has not risked journalistic censure by having an advance press screening. I am not one of the many people who thrilled excitedly to Simon Pegg’s efforts in Shaun of the Dead or Hot Fuzz. And I was even less impressed the last time he joined forces with David Schwimmer in Big Nothing. So it was with a feeling almost of self-sacrifice that I volunteered to sit through Run, Fat Boy, Run. Which doesn’t even have car chases or zombies to recommend it.

The surprise was that it is actually quite good.

Simon Pegg studied drama at university but earned his spurs in working life as a stand-up comedian. Which perhaps explains why his timing is so split-second perfect. The gags in Run, Fat Boy, Run are not that remarkable. At times you can even see them coming. But the performance and skillful delivery is so polished that they are entertaining anyway.

Run, Fat Boy, Run uses a formula that has served Pegg and his growing fan base well: he is the nerd who eventually turns hero. We feel sorry for him, irritated by him, repelled by him. He’s the well-meaning hopeless case we just want to ‘fix’. So the audience is relieved and rooting for him by the time he makes good. We are fully behind him by the time he makes his resolve that he is “sick of being a ‘nearly-man’.” In this present incarnation, Pegg (Dennis) has an attack of nerves just before getting married. He runs out on his gorgeous wife-to-be Libby (played by Thandie Newton) – literally – running off as she stands in the road in full bridal dress. And pregnant.

Five years later, Dennis is working as a security guard at a women’s clothing store. The predictable jokes are spoon-fed us faultlessly. Pegg rescues any situation that threatens to become too silly by a look of open sincerity (rather like Ricky Gervais does with political humour). But Pegg seems to have an instinctual grasp of cinema that enables him to extract the best results from his material. On a hot Saturday afternoon, and with strong competition from much publicised movies, the auditorium was fairly packed.

The second theme from the film’s title comes from Dennis’ decision to run the London marathon. This is mostly to ‘prove’ something to Libby (for whom he has now discovered undying love) but also to win a bet for his mates and to prove himself equal to Libby’s super-fit, super-rich, super-handsome suitor, Whit. His five-year old son provides the magic glue to pull all the elements of the story together.

In a wise choice, the filmmakers avoid anything that might belittle the Marathon (given that many UK viewers may have a deep respect for the institution). But they also bring in much underused and very photogenic shots of London en-route – particularly the Docklands area.

With such a vanilla story line, Run, Fat Boy, Run is relying on Pegg’s reputation to pull in audiences. I suspect that many of his fans may be occasional movie-goers who simply demand something light and untaxing. He has the ability to make a futile chase after stolen women’s underwear amusing. When he seems to be rubbing himself off against a shop mannequin it could be a pathetic or tacky sketch in any other hands, but his wide-eyed expression and fast pacing move us from one joke to the next before we have time to analyse.

I wasn’t bored. And I had expected to be. In fact I was laughing loudly. It reminded me of when JM Barrie had planted children in the audience of his first performance of Peter Pan. It helps to be in the company of people who see the joke. Run, Fat Boy, Run has not made me a convert to Pegg’s brand of humour even if I enjoyed the film, but I have to admit that he is good at his job. Sometimes it is the difference between a sterile press screening and an audience of fans. On this occasion, marketing gets the benefit of the doubt.